
The Norwegian quartet Monzano have been one of my favourites for many years. They have been around for a very long time (almost 10 years now?), and I think my first listen to their music was in 2005, just before they released their first ep “The Window Was Open But The Smoke Wasn’t Moving”. Their debut-album “High Horses & One Trick Ponies” was released in 2007, an album I gave full score in my review. Since then, vocalist and songwriter Sjur Lyseid has had some success with his more folk/acoustic based solo-project The Little Hands of Asphalt, released a solo-album, and he has also worked as a producer for some of the bands from indie-Oslo (My Little Pony, Einar Stray, Nomber5s).
Now Monzano are back with their second album, “By This Time Last Year Everything Will Seem Younger“, released on Spoon Train Audio February 15th. This time, it’s a new band: Only Sjur Lyseid and Eivind Bøe are left from the “old” Monzano, and two new members Magnus Rauan and Eivind Almhjell have joined the band on bass and drums. I would expect them to sound a bit different after the change, but they still sound like Monzano… Is that good or bad? I’m really not sure, but I like them just the way they are, – both then and now. So, I guess it’s good, – at least for me…
The new album. “By this time…”, is like a treasure chest of good songs, and some of the gems inside sparkle more than others. I prefer the calmer moments of Monzano, and songs like “Know Your Velocity” and especially the intensely beautiful “Even Bluer Pills” could be on repeat on my player without ever making me bored. “Even Bluer Pills” may be one of the best songs I have heard from Monzano and all their related projects, ever.
On songs like these, they manage to paint with their finest brushes, – the songs are full of fine details and the warm vocals are at their best. On the only song I don’t like on the album, the upbeat and rough “The Nombers game”, they step into clichés and lose the subtle details I like so much. I usually love Lyseid’s rich vocals, but on this song, he seems to push it to the limit, and his singing becomes thin and weak. One of the more upbeat songs that manages to keep the richness and warmth, is “Grand Siblings”, where everything is to the point, and I can almost hear a young Ben Gibbard singing…
Some of our regular readers (and listeners) may know the song “Yes, We Can’t” from our own compilation “Birdsongs, Beesongs“, but in many ways it sounds even fresher and better here on the new album. I loved “our” version of the song, but this sounds like gold.
“Waterways & Altitude” is another really, really good song, with lovely arrangements, fantastic lyrics and vocals, and very nice strings (cello?). There’s also a tiny distorted keyboard detail in there, that lifts this song from “really good” to “brilliant”!
The album ends perfectly, with “The Buildings, then the trees”, a stunning low-key ballad, where Lyseid’s lyrics and vocals get our full attention, only accompanied by some keyboard chords on most of the song, before everything builds bigger and bigger to a final crescendo where the album’s title is repeated by a beautiful band-choir. My spine is freezing, and my heart is warm…
I deliberately didn’t mention “Cold Waters”, where they are joined by Thea Raknes from Norma Sass. I thought you could listen to it, and make up your own mind:
Monzano (feat. Thea Raknes from Norma Sass) – Cold Waters




























